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what if
reality
is just some
kind of disease

this is a new shit more overdozing than you tho and my drunkness will cure the crippled. self-proclaimed anti human cyborg. negative fun is cool
this is a new shit more overdozing than you tho and my drunkness will cure the crippled. self-proclaimed anti human cyborg. negative fun is cool

this is a new shit more overdozing than you tho and my drunkness will cure the crippled. self-proclaimed anti human cyborg. negative fun is cool
negative fun is cool
negative fun is
negative fun
negative
COOL.
mga 1 month na din akong umiinom. yun lang. nothing important. kaya mukhang lasing yung kuha dito. photo courtesy of bry ybanez from the alakan group of photographers hahahaha :)))
photoshoot sa betty go belmonte at oo mukhang edited ang tyan ko ayoko ilabas iba kong photo isa lang. hahaha. pag busy ako. masaya. photo courtesy of adrian ocampo for movers and motions. gusto ko bumalik dun at mag graffiti sa mga napakalalawak na walls dun. sino gusto sumama?
(Source: legoexpress)
(Source: otakulei)
(Source: darks1de)
(Source: mannyleija)
FFFFFFFF
seems legit. is that einstein?
(Source: leilockheart)
DON’T
(Source: WiltonSmith.Tumblr.com)
(Source: thirdeyecas)
I WILL. I HAVE.
(Source: purplependulum)
The University of the Philippines Cineastes’ Studio and the Society of Filipino Archivist for Film present
HAUTE AUTEUR: SILENT VIDEO COMPETITION 2012
This year’s theme: CINEMA NOSTALGIA: Icons Reimagined and Recollected
Cinema, as a cultural product, works as a constellation of meaningful signs and intricate systems of value. Icons – ‘the iconic’ – are constructed through this system in our memory through the process of signification, the production of different meanings. How are these icons – the gestures, dialogues, phrases, overly prominent moles, these nuances – become ‘the iconic’?
We invite you to deconstruct and investigate ‘the iconic’ in Philippine Cinema – a particular film, a scene, a director, an aesthetic, or an actor. And in so doing may it produce visible constructions and realizations that make these icons of Philippine Cinema be genuinely dubbed and branded ‘the iconic’.CALL FOR ENTRIES!
SHOOT a 3 to 5-minute silent video which reflects your re/interpretation of the “ICONIC” in Philippine Cinema - may it be a film, a scene, a director, an aesthetic or an actor/actress.Finalists’ works get to be part of a public exhibition, and scored by a musical act on the night of the awarding ceremonies! Exciting prizes await this years winners!
JOIN NOW! Visit http://www.facebook.com/HauteAuteur for more details.